The Story

September 28, 2007 at 8:53 pm 2 comments

Whats a film without a great story! The story is like a skeleton of the film. Stronger the skeleton, stronger the film. Its the base for all your toppings. So here’s my base. Please do comment as to how you find the story. Thanks.

THE WRITER

He is seated at a local restaurant, peering out the window, breathing the stale air he wishes to make fresh. And all that by a piece of paper lying in his hand. He glances towards it, and then again looks out the window. He wishes to bring this script to light. That’s all he hopes. Raj awaits the arrival of the licensee. The one who’s gonna make his dream come true. Ala typical Bollywood style. With the bickering sounds of the cafe crashing and thrashing around him, a fat sweaty man in a safari suit laden with gold, joins Raj. He introduces himself as Gabbar, the Producer. Ahh, the name sounds so familiar. So dear. Even if he retains an ounce of the original character, Raj is already half dead. Raj has a script to sell. A stunning bollywood extravaganza about love, passion, hope and dreams. They both settle down with a cup of tea to go through the narration. There are people who are walking in and out of the café. There ‘s an ordinary looking boy, sitting alone at the table with a cup of tea. It seems like life has been too hard on him. The other table has a young beautiful girl and her father. They seem to be busy discussing about something. The other tables are filled with a bunch of guys, two old men sitting, and one bawa uncle reading a newspaper. As the writer begins to narrate the story, with the introduction of the hero – Vijay, as a guy who is thrown out of a newspaper company because he dared to write the truth. Saddened with the fact that the company did not support him, he’s trying to get over it and start all over again. The producer is staring at the writer with a blank expression on his face. As the narration is happening, we see the young guy with a cup of tea browsing through the ‘Job Openings’ column in the newspaper. Not able to control himself, the producer finally gets it out. “Where’s the herion”, the producer asks. Noticing the producers only worry, he proceeds to tell him that there soon will be a beautiful heroin. The heroin, Basanti, is a middle class girl, working and supporting her family of old parents. We cut to a young beautiful girl, accompanied by her father walk in the café. They both go to a corner table.
The producer cuts in again, asking whether the heroine is really hot, and the writer tries to persuade him that the heroin is as beautiful as one can get. But the producer keeps on enquiring again and again, and with the heroine who has just walked in the café, her smart salwar kameez is slowly turning into a pair of tight jeans and a small top. With the final transformation, the producer says, “I hope you’ve got your camera angles right”, and bursts out laughing. The writer just nods, as we see the low angle of hot chick sitting down on the chair. And then the two eyes finally meet. The young lad and the hot chick just stare at each other while the surroundings just drown. We hear the producer shouting, when is the song, when is the song, but the writer continues to define the moment of love, and suddenly, with pin drop silence, the writer says, ‘And here’s your song’. The whole café is turned into a disco, with trees coming up from around, both their dresses changing and the film turns into a musical. The remaining people in the café are still while the hero and the heroin just dance around happily joined by the café owner and the waitresses. There will also be fairies that will come and go. As the song is about to end, the father turns around angrily to look at both of them, hand in hand. He wants to separate them, but they have fallen in love. In between this chaos, the door opens with a bang and three guys enter for a hold-up. They have everyone at gunpoint, and are taking away all the cash. The owner hands them over all the cash and as they are about to leave, the main villain’s eyes falls on the girl. He stops at the exits and walks backward towards girl and starts touching and feeling her. The hero is enraged at this site. Not able to control himself, he raises an attack on the villain. The producer intervenes. He wants the villains to touch the heroin a little more. “You know, a little skin show”. The film moves backwards, and this time the villain has her against his body. Kissing her and feeling her all over. The hero is enraged. Not able to control himself, he raises an attack on the villain but he is brought down by the companion. A hard blow on the nose and blood sprouting everywhere. Producer, “Let’s be a little melodramatic.” The hero is being smashed in circles. Turn by turn. And at one point, he hits them back. He takes a turn, ala Rajnikant style, and is a winner. He finally manages to get the girl back. The producer feels the story isn’t interesting. They sit and think for a moment. All the action is paused in the background. After a while, the producer takes the script from the writers hands, and says, “Let me work on the ending”. And as he pulls away the script from his hand, he freezes. He can sense the touch of cold steel at the back of his head. And when he faces towards the feeling, he is stared back by the villain. The producer just snaps out of it and is in company with the writer again. There’s’ sweat on his forehead. Feeling a little uncomfortable, he tells the writers that he would work on the ending. He leaves the writer feeling helpless.
Looking at the producer leaving the door, with a sly look on his face, he mutters, “But I haven’t finished with the ending.” Out on the deserted street, the producer is walking back to his car holding the script tightly in his hands. And out of the corner, our hero of the story, who is a budding actor, tries to convince the producer for a role in his film, but the producer shoves him away. At that, as a last attempt, the hero yells back at him, “ Sir, I can do great things”. And the producer turns away at the corner. Nearing his car, the producer opens the car lock through his electronic locking device. 5 fee away from the car, he is halted by a smartly dressed, corporate guy. There’s something familiar about the corporate guy. He has a funny way to laugh. Laugh very similar to the villian in the story. Or is he the same guy? He’s aiming directly at the producer with a gun. They are just two feet apart. Producer, helpless at this, tells him that he can take away everything. He finally utters some words. Its vague but he says something about the new players in town and something about investing. Straining to hear what the corporate guy has to say, he finally hears it. ” Your role is over Mr. Producer. It’s time for us to take over. From now onwards, let us take care of everything”, saying that, he takes the script from his pocket. But before the producer could reply, BANG. We see the producer lying on the ground, and corporate guy bending down to place a piece of paper. Looking closely, it’s a business card. And it says, ‘Welcome to our world’. The card is placed on the producers eyes, just like the Greeks placed silver coins on the eyes of the departed. Guess it will help them pay the boatman to take them to another world.

The corporisation of the filmdom begins…

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Entry filed under: Filmmaking. Tags: , , , , , , , , .

Intro: Writing your film

2 Comments Add your own

  • 1. CH.Srinivasa rao  |  May 7, 2008 at 4:08 pm

    Hi,
    I have good story lines for making films.I hope you can help me in this interested field.

    Thanks&regards
    Ch.Srinivasa rao

    Reply
  • 2. J RAMANJANEYULU  |  May 10, 2008 at 12:04 pm

    STORY IS MATER OF THIINKING.

    Reply

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